Tonight was movie-musical night. Heh. Don’t quite know how it turned out that way but it did. My mom hadn’t seen Chicago, and I was the probably the last person in the free world who hadn’t watched Moulin Rouge. (I can hear the collective gasp of outrage from here. Heh heh.) Soooo, we ended up watching both.
Verdict? I prefer Chicago. (Again with the shocked gasps!)
When MR came out, I didn’t buy into the hype. Not even Ewan (sweet, gorgeous, hott Ewan) wasn’t enough incentive to watch it. So, I didn’t. But everyone raved about it, it got a whole shitload of press and it won like a bazillion awards. And every time it won, I was like “Oh. What’s the deal?’. Plus, ‘Come What May’ was so freakin’ overplayed that I came to despise it, while everyone was all like, “Oh, *sob* I love this song!” (Cue rolling of eyes while I switched radio channels.)
So. I wasn’t particularly impressed. The plot was reaaally thin, and the musical numbers were obviously designed to disguise that failing. Seriously. Anyone could have written that plot, and probably could have done a better job. I wasn’t sold on the True Love of Christian and Satine, because I didn’t get to see it happen. I, Miss I-Love-Romance-Novels, was not convinced by the flimsy love story. So, of course, all the trite blah-di-blah that was the rest of the movie fell flat to me. I was lyng there, watching that bit at the end where Christian’s walking away all dejected and Satine starts singing, and my eyes were dry. Usually, I’d be weeping bucketfuls by then. The whole “The greatest thing you’ll ever learn is just to love, and be loved in return.” was just like ‘Ehhhhh’ to me. Nice sentiment, but the plot just didn’t make it resonate for me.
That said, I thought Nicole and Ewan did a great job. They’re the only reason why the plot is even slightly believable. I’d still rather not hear Nicole Kidman sing all the damn time, but otherwise, it was good. And Ewan just really, really great. I know everyone was raving about Nicole, but I think it’s Ewan who really makes the ‘love story’ work, especially since it’s told from his POV. The really funny thing is that I thought the chemistry between the two was a little weird… but they’re both so great in their individual roles that it worked out.
MR is a spectacle, that’s for sure. Visually, it’s just astounding. A little too much at times, but I gather it’s Baz Luhrmann’s style. Like I mentioned, the plot isn’t particularly unique, and (in my opinion) rather flimsy. Music? Ehhhh, I got mixed feelings about it. The use of contemporary music threw me off a little (but again, judging from R+J, it seems to be Luhrmann’s preference) but I suppose it made the movie more accesible to a modern audience. I’m not that big a fan of Nicole’s singing… but it really wasn’t too bad. Ewan’s earnestness worked in his favour during his singing parts. I like the choreography, especially during the tango bit. Verra nice.
I’m the kind of person who can get teary while watching Oprah. Seriously. So, I was little surprised (at myself) that I wasn’t moved by the story. Maybe it’s because I didn’t watch it in the cinema, when it came out. Maybe I had expectations that were too high when I watched it. Maybe it’s because the plot really is flimsy. Maybe the coffee in my system made me feel less weepy. Whatever. The thing is, I just didn’t feel it. Entertaining, but it didn’t move me like most ‘love stories’ do.
Chicago, I really enjoyed, even the second time around. Catherine Zeta-Jones just oozes charisma. In my opinion, she outshines Renee. I can’t see anyone else doing a better job as Velma Kelly. What I really did like about the movie is the musical numbers. Catherina Zeta-Jones did a smashing job on “All That Jazz”. Queen Latifah rocked. And “Mr Cellophane” was just… gah. The Cell Block Tango was another stunner. And it all flowed seamlessly from narration to music, using Roxie’s consciousness as the bridge between the two.
The two movies are vastly, vastly different in style, content, presentation, everything. So it really isn’t a fair comparison to make. Personally, I enjoyed Chicago as a movie a lot more. Maybe Moulin Rouge will make a better impression a second time around.
* * *Seriously, I need to study.
Gaaaaaah.